Release Date: September 15, 2023
Starring: Kamal Kamaraju, Aparna Devi, Kalakeya Prabhakar, Prithvi, and others
Director: Raghupathi Reddy Gunda
Producer: Vijay Kumar Paindla
Music Director: Vardhan
Cinematographer: Mohan Chary
Editor: Pawan Shekhar Pasupaleti
The low-budget film, Sodara Sodarimanulara, helmed by Raghupathi Reddy Gunda and featuring Kamal Kamaraju, has hit the big screen. In this review, we’ll uncover whether this film manages to hold your attention.
Unraveling the Plot
Raju (Kamal Kamaraju) is an ordinary cab driver struggling to make ends meet. One ill-fated night, he picks up an extremely intoxicated woman from a remote pub, only to find her lifeless during the journey. As suspicions rise within the police force regarding Raju’s involvement, he finds himself under arrest. Questions abound: Who is this enigmatic woman, and did Raju play a role in her unfortunate fate? The film seeks to unravel these mysteries while exploring Raju’s destiny.
- Kamal Kamaraju delivers a subtle and fitting performance in his portrayal of the cab driver, adding depth to his character.
- Kalakeya Prabhakar, renowned for his role as Kalakeya in Baahubali, shines as a greedy and formidable policeman, delivering a commendable performance.
- The supporting cast, including Aparna Devi, Prithvi, Padma Rao, and Sunitha Manohar, give decent performances.
- While the director’s intentions are commendable, the execution falls short, resulting in a sluggish and unengaging screenplay.
- Aparna Devi’s character could have been more intricately developed to portray her struggle in advocating for her husband, and Prithiviraj’s portrayal as an MLA lacks impact.
- Kalakeya Prabhakar’s role is acceptable, but it could have been further explored to inject more intrigue into the storyline.
- The film exhibits noticeable plot holes, and its lengthy runtime, exceeding two hours, poses a significant drawback.
Debutant director Raghupathi Reddy falls short in both writing and direction, failing to captivate the audience effectively.
In terms of music, cinematography, and editing, there is room for improvement, as these aspects could have contributed to a more engaging cinematic experience.
In conclusion, Sodara Sodarimanulara leaves much to be desired with its feeble narrative and uninspiring screenplay. While Kamal Kamaraju’s performance stands out, the film offers too little to discuss.