In the labyrinth of Malayalam cinema, the newly released thriller drama, Abraham Ozler, takes center stage, weaving a tale that has already captivated audiences. However, the shadow of online piracy looms, as the movie found its way onto the internet on the very day of its release, courtesy of Movierulz. This notorious website has made the film easily accessible to users searching for the latest cinematic offerings.
Directed by Midhun Manuel Thomas, renowned for his work in Anjaam Pathiraa, the movie boasts an ensemble cast featuring Jayaram, Mammootty in an extended cameo, Anaswara Rajan, and Anoop Menon in pivotal roles. Produced by Irshad M Hassan under the banner of Nerambokki Manual Movie Makers, the film blends elements of emotion and crime in a thrilling narrative.
The initial reviews have showered praise on the film, portraying it as a gripping thriller. The storyline, propelled by an engaging narrative, has received acclaim, with particular praise for Jayaram’s compelling performance. The flashbacks, while slightly extended, contribute to the overall intensity of the plot. The unexpected twists and the impactful cameo by Mammootty have left audiences eagerly anticipating a second part.
iBomma Ratings: 4.3/5
As the cinematic experience continues to unfold, discussions about the movie’s potential release on OTT platforms emerge. However, as of now, no official information has been provided by the filmmakers. Speculations suggest that Disney Plus Hotstar might secure the streaming rights. To enjoy Abraham Ozler on Disney+ Hotstar, a basic subscription costing Rs 299 per month is required, granting access to stream the movie online.
The film review from Times of India adds another layer to the narrative, presenting a critic’s perspective. Jayaram‘s portrayal of Abraham Ozler is seen as a significant shift in the actor’s career, with the movie revolving around a murder investigation. Director Midhun Manuel Thomas succeeds in crafting a thriller that keeps the audience guessing until the end, introducing a different dimension to the genre.
Mammootty, in his extended cameo, adds depth to the plot with an intriguing entry. The supporting cast, including Saiju Kurup, Anaswara, and Jagadish, complements the storyline with convincing performances. However, some dialogues are criticized for their artificial and dramatic tone, while the flashback scenes, if shortened, could have enhanced the film’s crispness.
In the realm of music, the soundtrack is acknowledged for its palatability, though its placement in certain instances is deemed abrupt. Despite a somewhat predictable plot, the movie’s ability to keep the audience engaged in unraveling the “how” of the climax is recognized as remarkable.
As the curtains draw on Abraham Ozler, it leaves an indelible mark on the cinematic canvas, offering a thrilling experience that transcends the boundaries of conventional storytelling. Yet, the shadow of online leaks serves as a reminder of the challenges faced by filmmakers in the digital age. The tale of Abraham Ozler continues to captivate, proving that the fusion of gripping narratives and stellar performances stands resilient against the test of time.